Blessed Vancouver, British Columbia
Blessed's sophomore release, “Circuitous”, cements and expands on their status as a band’s band: a patient, eclectic career outfit guided by the intense pursuit of an internally-dictated creative agenda. Here, the group has sharpened their strengths, bringing an ever-growing depth of songwriting and artistic evolution to their craft. ... more
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supported by 6 fans who also own “Sound”
Dzwit dwitz tuhluduluh AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
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To See the Next Part of the Dream
by Parannoul
supported by 6 fans who also own “Sound”
Takes me back to my high school classroom during the days of binging Inio Asano's old manga scanlations before anything was licensed. At that time, I was discovering many kinds of Asian shoegaze, but I've never heard anything like this. Makes me think of Pasteboard, Supecar, and Midnight Pingpong a bit, and it's funny bc the first two I listen have blue album covers too.
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Canadian producer and multi-instrumentalist galvanizes bowed guitars, cellos, and synths into an off-kilter exploration of heat and desire.
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“Dirt” is the imaginative group’s most streamlined effort to date, although no less captivating and sonically adventurous than the rest of their catalog.
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Culled from unreleased recordings from her recent "Light Sleep" and "Voice Hardcore" releases, Hiromi Moritani's latest showcases the softer, less harrowing side of Phew’s sound
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supported by 5 fans who also own “Sound”
saw them at a khurangbin concert and they slapped. vibes are yuge.
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